Jon Bois has become well known for a lot of his work at SBnation - Breaking Madden, 17776, Pretty Good, Chart Party - but there's a wealth of his history that directly influences his work there that has gone forgotten, at Progressive Boink. This essay is on not only showing the creative work of Jon's past that has gone forgotten, fallen down an internet memory hole, but on how his work all has ripples on itself, a continuing line of influence, be they obvious or subtle. Ranging from a fascination with sports itself, with the cosmic questions of the universe, or simply doing things that are only possible in the medium of the internet.

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